Philly AIDS Thrift @ Giovanni's Room

Virtuosic in his use of literary forms, nurtured and unbounded by his identities as a Black man, a gay man, an intellectual, and a Southerner, Randall Kenan was known for his groundbreaking fiction. Less visible were his extraordinary nonfiction essays, published as introductions to anthologies and in small journals, revealing countless facets of Kenan’s life and work.

Amber McCloud’s dream is to become cheer captain at the end of the year, but it’s an extra-tall order to be joyful and spirited when the quarterback of your team has been killed in a car accident. For both the team and the squad, watching Robbie get replaced by newcomer Jack Walsh is brutal. And when it turns out Jack is actually short for Jaclyn, all hell breaks loose.

The players refuse to be led by a girl, the cheerleaders are mad about the changes to their traditions, and the fact that Robbie’s been not only replaced but outshined by a QB who wears a sports bra has more than a few Atherton Alligators in a rage. Amber tries for some semblance of unity, but it quickly becomes clear that she’s only got a future on the squad and with her friends if she helps them take Jack down.

Just one problem: Amber and Jack are falling for each other, and if Amber can’t stand up for Jack and figure out how to get everyone to fall in line, her dream may come at the cost of her heart.

Dahlia Adler’s Home Field Advantage is a sparkling romance about fighting for what – or who – you truly want.

On this season of The Catch, contestants must compete for love. And their lives.

When the final four women in competition for an aloof, somewhat sleazy bachelor’s heart arrive on a mysterious island in the Pacific Northwest, they prepare themselves for another week of extreme sleep deprivation, invasive interviews, and, of course, the salacious drama eager viewers nationwide tune in to devour. Each woman came on The Catch for her own reasons–brand sponsorships, followers, and, yes, even love–and they’ve all got their eyes steadfastly trained on their respective prizes.

Enter Patricia, a temperamental and woefully misunderstood local living alone in the dark, verdant woods, and desperate for connection. Through twists as unexpected as they are wildly entertaining, the self-absorbed cast and jaded crew each make her acquaintance atop the island’s tallest and most desolate peak, finding themselves at the center of an action-packed thriller that is far from scripted–and only a few will make the final cut.

A whirlwind romp careening toward a last-girl-standing conclusion, and a scathing indictment of contemporary American media culture, Patricia Wants to Cuddle is also a love story: between star-crossed lesbians who rise above their intolerant town, a deeply ambivalent woman and her budding self-actualization, and a group of misfit islanders forging community against all odds.

Bowie doesn’t intend to hurt his mother-he just wants to collect his social security check from her. But when she throws around words like hallucinating and tells him he’s “hearing things,” his fear is triggered, and he takes action. This event, coupled with a history of reported psychotic episodes, a gambling addiction, and his sexual preference for other men, sets him on a collision course with mental health professionals, the police, and the prison system.

Along the way, Bowie explores a relationship with another Black man who encourages him to question a system that refuses to listen to him when he claims his medical regimen is causing adverse effects and who encourages him to find his own voice, free of his mother and the stigma of mental illness. But he faces another barrier: The shimmer that follows him and whispers vile things. Can Bowie find his voice despite these hurdles?