Helen is dying. Helen is choosing to die. Over the course of one day in 1985, those who surround her–among them her daughter, an art thief, a high-strung housewife and crochet artist, a lesbian poet, and a pregnant Vietnamese pot-bellied pig–grapple with her impending end. In nine revolving points of view, they resist or accept, impact or impede the trajectories of Helen’s death in the world around them, tracing the mark of a culture that tries, desperately and impossibly, to deny death. By turns haunting, sensual, and brilliantly cunning, Spheres of Disturbance explores how we can bear to approach, or even choose, our inevitable end.